Have you really enjoyed reading a work that qualifies and want to recommend it to others? This is the prime spot to help people out with those recommendations.
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Plays With Words:
Written in a stylistically unconventional way. HARD MODE: Fits the definition of Experimental Literature.
- Flowers for Algernon by Daniel Keyes
- Infinite Jest by David Foster Wallace
- Ella Minnow Pea: A Progressively Lipogrammatic Epistolary Fable by Mark Dunn
- Catch-22 by Joseph Heller
- Finnegans Wake by James Joyce
- House of Leaves by Mark Z. Danielewski
- A Clockwork Orange by Anthony Burgess
LGBTQIA+ Lead:
A main character identifies as LGBTQIA+. HARD MODE: Includes a significant romance between characters that identify as LGBTQIA+.
Song of Achilles by Madeline Miller would fit the hard mode here, for those interested.
- The Amazing Adventures of Kavalier & Clay by Michael Chabon
- The Man Who Folded Himself by David Gerrold
- The Left Hand of Darkness by Ursula K. Le Guin
- Carmilla by J. Sheridan Le Fanu
New Release:
New for 2024/2025 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you’ve read by this author.
The gathering, by C.J. Tudor
Nuclear war: a scenario, by Annie Jacobsen
Minority Author:
Minority or LGBTQIA+ author. A minority can be any member of a generally underrepresented population where you live. HARD MODE: Minority and LGBTQIA+.
- Binti by Nnedi Okorafor
- Parable of the Sower by Octavia E. Butler
- The Picture of Dorian Gray by Oscar Wilde
- Mexican Gothic by Silvia Moreno-Garcia
- Babel: An Arcane History by R.F. Kuang
- The Invisible Life of Addie LaRue by V.E. Schwab
- Iron Widow by Xiran Jay Zhao
- The Three-Body Problem by Cixin Liu
- Jade City by Fonda Lee
Anything by Roxanne Gay and Nikki Giovanni will work for HARD MODE.
Award Winner:
Has won a significant literature award. HARD MODE: More than one award.
I would love some suggestions for awards to look up, that you’d consider big for your country or preferred genre. I’ve looked up lists of awards, but they tend to be pretty US-focused, and it’s hard to tell what’s actually significant.
I’m familiar with the Hugos (SFF), Nebula (SFF), Bram Stoker (horror), Edgars (mystery), Pulitzer (lit), Booker (lit), and Newbery (kids).
- Dreamsnake by Vonda N. McIntyre
- Ancillary Justice by Ann Leckie
- Babel: An Arcane History by R.F. Kuang
- A Master of Djinn by P. Djèlí Clark
- The Left Hand of Darkness by Ursula K. Le Guin
- Fahrenheit 451 by Ray Bradbury
Bookception:
Features a book-related aspect. HARD MODE: Something other than a book, like an author or library.
- The Book Eaters by Sunyi Dean
- The Golden Enclaves by Naomi Novik
- Fahrenheit 451 by Ray Bradbury
- The Hitchhiker’s Guide to the Galaxy by Douglas Adams
- The Neverending Story by Michael Ende
There Is Another…:
Not the first in a series. HARD MODE: Series has 5 or more entries.
Eazy, Breazy, Read-zie:
A light, popcorn-worthy read that’s not real deep (see also “beach read” and “airport novel”). HARD MODE: You actually read it while on a vacation/staycation.
- Dungeon Crawler Carl by Matt Dinniman
- The Kaiju Preservation Society by John Scalzi
- The Mark of Zorro by Johnston McCulley
ALT - Pseudonymous Work
Published under a pen name. HARD MODE: The author generally never writes under their own name.
- Leviathan Wakes by James S.A. Corey
- A Connecticut Yankee in King Arthur’s Court by Mark Twain
- Swordheart by T. Kingfisher
- A Master of Djinn by P. Djèlí Clark
- Assassin’s Apprentice by Robin Hobb
- The Beast Master by Andre Norton
- Tinker, Tailor, Soldier, Spy by John le Carré
It’s About Time:
The passage or manipulation of time is a major theme or plot driver. HARD MODE: Backward in time, not forward.
Won’t fit the hard mode, but Charles Sheffield’s Tomorrow and Tomorrow was an interesting read. The first third wasn’t really my thing, but after that the book goes way far into the future.
- The Curious Case of Benjamin Button by F. Scott Fitzgerald
- The Time Machine by H.G. Wells
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohtar
- 11/22/63 by Stephen King
- The Man Who Folded Himself by David Gerrold
Institutional:
Set at a non-commercial institution or facility, like a school, science lab, or prison. HARD MODE: Not a school.
The institute, by Stephen King
- Rita Hayworth and Shawshank Redemption by Stephen King
- Guards! Guards! by Terry Pratchett
- The Count of Monte Cristo by Alexandre Dumas
- Any of The Scholomance Series by Naomi Novik
Questions, Complaints, Whines, General Commentary, Shitposting
Just a quick note, Jaymes and I seeded the Storygraph challenge they built with literally hundreds of literary and genre fiction books (some of which they’ve crossposted here), in case you’re looking for ideas and prefer a more visual browse. (No account required!)
Water, Water Everywhere
The title refers to some form or body of water. HARD MODE: Not liquid water.
- On Stranger Tides by Tim Powers
- The Ocean at the End of the Lane by Neil Gaiman
- Midnight Riot (The original UK title of this is River’s of London) by Ben Aaronovitch
What’s Yours Is Mine:
Theft, piracy, fraud, or espionage is a major topic or plot point. HARD MODE: No MacGuffins.
The Recognitions by William Gaddis
Mistborn by Brandon Sanderson
- The Thief by Megan Whalen Turner
- The Lies of Locke Lamora by Scott Lynch
- The Palace Job by Patrick Weekes
- The Redemption of Althalus by Leigh Eddings & David Eddings
- Tinker, Tailor, Soldier, Spy by John le Carré
- Catch Me If You Can: The True Story of a Real Fake by Frank W. Abagnale with Stan Redding
- On Stranger Tides by Tim Powers
