This is really cool! I really appreciate the history and the way they changed things around them, along with changes in the way they’re perceived. I also think the distinction between the sort of black box device and the focal thing, directly used and serviced by people, is worth considering.

I’m optimistic that solarpunk as a genre might be able to help with the aesthetic appreciation of modern windmills at least. They show up frequently in solarpunk art (though almost more often in the form of altaeros temporary windmill blimps):

I even included one in a scene of a ship at sea:

Its cool to think that the aesthetics of an optimistic genre/movement could help sway the culture in a way that helps support windmills. I also really like the author’s suggestions for education possibilities, helping people engage with them, feel a sense of ownership or pride in them, if they are so hard to ignore.