

Did he implement two different variations? OP said he used two different tools, not that his solutions were any different.
That said… how so?
There are many different ways two different brute force approaches might vary.
A naive search and a search with optimizations that narrow the search area (e.g., because certain criteria are known and thus don’t need to be iterated over) can both be brute force solutions.
You could also just change the search order to get a different variation. In this case, we have customer, price, meat, cheese, and we need to build a combination of those to get our solution; the way you construct that can also vary.
The comparison to your SO’s approach is a bit sloppy. He didn’t reason out a solution himself; he wrote a program to solve the puzzle.
How do you define “reasoning?” Maybe your definition is different than mine. My experience is that there is a certain amount of reasoning going on, even with non-reasoning LLMs. Being able to answer “What is the capital of the state that has Houston in it?” for example, is something I would classify as very basic reasoning. And now, LLM-powered chat bots are much more capable.
All that “reasoning” or “thinking” really is, though, is a way to get additional semantic connections in place without:
There are limits to how well reasoning these char bots can reason. One of those limits is specifically related to the context size. As the context becomes larger, the model’s capabilities become worse. By asking it to show all its work, you exacerbated that weakness.
That still doesn’t mean LLM-powered chat bots can’t reason, just that there are limits.
I used to do puzzle books with these sorts of problems when I was younger, and they always came with multiple sets of grids with row and column labels filled out to facilitate the elimination approach. I don’t know that most people would think “Hey, it would be helpful to build a grid for each way of setting up these constraints.” One grid, sure, but I don’t think one grid is sufficient for this sort of problem.
I don’t think I am - or that most people are, for that matter - capable of reasoning through all of the necessary steps in my head and aloud, without use of, at minimum, pencil and paper. I hope you wouldn’t say that I and most people aren’t capable of reasoning as a result.
I just asked Claude Opus 4 (with extended thinking and analysis tools enabled) “Given the freedom to use any tools of your choice, design an approach to solve this problem. Feel free to use any tools that are necessary, including writing code in a language of your choice.” followed by pasting your problem text. It wrote and ran some code to solve it, gave me an answer that violated constraint 7, and when I pointed that out, ran some more code and gave me a correct solution on its second attempt.
You are absolutely correct. I apologize for the error. Let me revise the solution to ensure constraint 7 is satisfied.
Thank you for catching that error. Here is the corrected solution that satisfies all nineteen constraints:
Final Solution:
Customer | Price | Cheese | Meat |
---|---|---|---|
Carol | $5.75 | Colby Jack | Ham |
Darrell | $8.75 | Gouda | Corned Beef |
Henrietta | $6.75 | Swiss | Salami |
Kenneth | $7.75 | Provolone | Prosciutto |
Lula | $3.75 | Havarti | Bologna |
Omar | $4.75 | Cheddar | Roast Beef |
Peter | $2.75 | Muenster | Liverwurst |
The key correction was recognizing that since ham cannot be paired with swiss cheese (constraint 7), and Henrietta must have swiss cheese based on the process of elimination, Henrietta cannot have ham. Through careful analysis of the remaining constraints, I determined that Carol has ham with her colby jack cheese, which satisfies all requirements.
This solution demonstrates the importance of thorough verification when solving complex constraint satisfaction problems. Even when a solution appears complete, each constraint must be individually validated to ensure accuracy.
This all took 5-10 minutes - and most of that time was spent verifying its solutions - so a third of the time your SO took.
LLMs, even those with image analysis abilities, are lacking when it comes to spatial awareness, so your critique regarding using a grid to implement a systematic elimination approach is valid.
I’d much rather California split into 12 different states, each with roughly the population of Nevada.
No offense taken, but thanks for the comment! If someone was offended and they saw your comment, I think it would probably help
I thought it was like the way one’s brain is wired that causes them to have slightly different perception than the rest.
I’m no expert, either, but this is a solid explanation IMO. It’s why autistic people are prone to sensory overload; their brains don’t filter out noise (like the hum of the refrigerator, the sounds of people chewing, or background conversations) the way that most allistic people’s brains do. It also definitely could have been the reason, or at least contributed to, why the woman from your post was confused - particularly if she was trying to figure out why allistic people did something.
Sorry, that’s incorrect.
Autism is commonly comorbid with mental health disorders (aka “mental illnesses”) like anxiety, depression, ADHD, etc., as well as with intellectual developmental disorders, but autism is still considered, at worst, a neurodevelopmental disorder, regardless of where an individual falls on the spectrum.
Both the DSM-V and ICD-11 are in agreement about this, for what that’s worth, but you could also just do a search for “Is autism a mental illness?” on Duckduckgo, Kagi, Searx, Bing, Google, or whatever, if you want to confirm.
The lady was autistic if I remember collectly. She had a boyfriend who also had a mental ilness.
Autism isn’t a mental illness.
Copyright applies to unfinished works, too. There are many reasons it might not protect an unfinished work, but those reasons are still relevant even for finished works.
If someone steals your physical drawing, that’s theft. If they take a picture of it, then use the picture - or your picture + modifications - without your permission, particularly in a commercial work, then that’s copyright infringement, but not theft. If they steal your physical drawing and then take a picture and so on, then it’s both theft and copyright infringement.
Most likely this wasn’t considered copyright infringement because the allegedly copied art isn’t copyrightable, e.g., game mechanics; or the plaintiff didn’t own the copyrights themselves and thus couldn’t sue (possibly the arts were still copyrighted by the original artists, having never been purchased; possibly they were stock assets that were re-purchased by the defendant). There are any number of reasons. However, “the work wasn’t published” isn’t one of them.
On the other hand, it’s quite likely they were able to sue for theft of trade secrets for that very reason. And they might have chosen to do that simply because proving copyright infringement is much more difficult.
This happened because the developers allegedly used assets from a game called P3, which was never released, and therefore not subject to copyright infringement claims.
That isn’t how copyright works. Copyright is awarded upon creation of a work, not upon release.
What a misleading, clickbait title:
Mozilla moves away from open source
When the author really meant:
Mozilla does a thing I don’t like
Did you turn it off by using Invidious?
OP is also in the allegedly ultra rare camp of “successfully configured Jellyfin and lived to tell the tale.” Not what I’d expect of someone unable to configure Plex correctly. I’ve not set up a Plex server myself but my guess is it wasn’t clear that it was misconfigured - it did work previously, after all.
If they’re calling it remote streaming when you’re on the same (local) network, that’s not exactly intuitive. I’d say OP’s phrasing was fair.
I’d expect performance under the 5600X3D, which at https://browser.geekbench.com/processor-benchmarks got a score of 2085. For reference:
Note that these results are aggregated from people with this hardware running Geekbench on their own machines and the rest of their hardware and config (including, for example, cooling, overclocking) isn’t controlled for, and as such is very likely to be different, which would impact results.
Is your goal to create things that can be published or used in a project, or to create audiobooks for yourself to listen to?
For voiceovers for text, I use Kokoro Fast API, which has a web frontend. The frontend is only compatible with Chromium browsers on desktop or Android, which sucks as my daily driver is Firefox and an iPhone (there are workarounds in the thread) but it supports voice mixing, speed changes, etc… It also has an issue where it keeps the models (about 3GB) in memory; I keep the CPU version loaded normally and swap to the GPU version if I need it to be faster. If you want something similar for Bark, check out Bark-GUI.
I’ve also dabbled a bit in some TTS features that have Comfy nodes, though at this point mostly just in terms of getting them set up. For my purposes thus far Kokoro has been fine (and I prefer the FastAPI project over the Comfy nodes for most of my uses), but I’ve found nodes for Kokoro, Dia, F5 TTS, Orpheus, and Zonos.
Autiobooks and audiblez both look promising. A few weeks ago, I used the Kokoro FastAPI web frontend to create an audiobook for an ebook I worked on that used entirely self-hosted AI generation for the outlining and prose. Audiblez, which I found about like two days after that, looks like it would have simplified that process substantially. Still, I’d personally like something more like an audiobook studio, where I can more easily swap voices back and forth, add emotions, play with speed on a more granular level, etc… I’m thinking about building something that contains that at some point myself, but it’ll be a minute - hopefully someone else will beat me there.
I posted a comment here a few weeks back on a similar topic. I’ve since used OpenReader-WebUI and like it, though that’s not for producing audiobooks, but for a read-along experience. Reproducing the comment below in case it’s helpful for you:
If you want to generate audiobooks using your own / a hosted TTS server, check out one of these options:
The witch turned the creep into a woman and the spell was complete by the time she flew away. Unfortunately, like many women, the creep was born with the body of a man (she’s AMAB). Maybe the witch could have changed her body, too, but that would have made things far too easy, given that the point of the curse was to teach her empathy.
SublimeText seems to have it. I don’t personally use it but it’s a pretty competent editor and it’s not in the feature table from the Wikipedia page someone else shared.
Sublime 3 was limited to folding by indentation; I’m not sure if that’s true for Sublime 4 as well, but the Markdown plugin docs have a note on folding and mention you can fold by section and heading levels.
Your comment wasn’t in a meta discussion; it was on a post where they were venting about people complaining about them having a women’s only space. There was certainly no indication that the regular community rules didn’t apply, nor any invitation for men to comment.
Commenting that it’s hostile for them to have a women’s only space might be ironic, but couldn’t possibly be good faith, in that context. And if the same mod banned you from multiple communities, then either it was out of line and you could appeal it, or it was warranted due to the perceived likelihood of you causing problems in those other communities and the perceived low likelihood of you contributing anything of value to them.
Even now, you’re acting like the mod(s) banned you because of her / their emotions. You don’t see how that’s misogynistic?
It makes logical sense for bad actors to be preemptively banned. Emotions have nothing to do with it.
Right now I have Ollama / Open-WebUI, Kokoro FastAPI, ComfyUI, Wan2GP, and FramePack Studio set up. I recently (as in yesterday) configured an API key middleware with Traefik and placed it in front of Ollama and Comfy, but currently nothing is using them yet.
I’ll probably try out Devstral with one of the agentic coding frameworks, like Void or Anon Kode. I may also try out one of the FOSS writing studios (like Plot Bunni) and connect my own Ollama instance. I could use NovelCrafter but paying a subscription fee to use my own server for the compute intensive part feels silly to me.
I tried to use Open Notebook (basically a replacement for NotebookLM) with Ollama and Kokoro, with Kokoro FastAPI as my OpenAI endpoint, but turns out it only supported, and required, text embeddings from OpenAI, so I couldn’t do that fully on my local. At some point, if they don’t fix that, I’m planning to either add support myself or set up some routes with Traefik where the ones OpenNotebook uses point to the service I want to use.
ETA: n8n is one of the services I plan to set up next, and I’ll likely end up integrating both Ollama and Comfy workflows into it.