Music composer, game designer and cybermancer.

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  • 177 Comments
Joined 10 months ago
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Cake day: January 23rd, 2024

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  • C’est simpliste comme a chaque fois qu’on pousse un argument jusqu’à l’absurdité.

    On peut faire exactement pareil avec ce que tu dis, si personne ne tient rigueur a l’Occident pour ses erreurs et ses travers, ça peut justifier de ne rien faire pour empêcher qu’elles se répètent. “Vu que personne ne dit rien, c’est que c’est pas si grave l’impérialisme”…

    L’autre aspect c’est que expliquer un comportement ne le justifie pas, mais ça permet de comprendre. Le mexicain qui pense que les américains sont tous des cons, il a factuellement tord, c’est une certitude, maintenant est-ce que sa réaction est incompréhensible et sort de nul part ? Bah non. Il faut en tenir compte aussi.

    Quand tu vois le nombre d’agressions de femme en France par an, juste du fait d’être des femmes (donc pas des réglements de compte de gangs ou d’affaires liées a la drogue), ça t’étonnes toi que des femmes développent des discours misandre ? Moi non.


  • Non, ça n’est pas ce que j’ai dit : on peut tomber d’accord sur le fait que la colonisation c’est le fait essentiellement des occidentaux (qui ne sont pas tous blanc d’ailleurs), puis depuis les superpuissances internationales sont occidentales (Russie, USA, Europe), jusqu’aux années 1980. Donc quelque part on ne peut pas dire que les autres peuples aient particulièrement été en position de force vis-à-vis de l’Occident depuis des siècles. = il y a une forme d’impérialisme et donc d’oppression.

    Du coup est-ce que tu demandes a ces populations et gouvernements, qui on subis l’impérialisme occidentales parfois pendant des siècles d’être moralement supérieur au occidentaux ?

    Je pense pour ma part qu’on peut comprendre que ça soit à la fois facile en tant qu’occidentaux de demander aux autres d’être moralement supérieur envers nous, et a la fois un peu injuste considérant que les occidentaux ont été hyper avantager notamment dans leur développement sociale en conséquence de leur domination.

    Les occidentaux ont été des oppresseurs oui, et les conséquences de cette oppression continuent de provoquer des remous dans la société. Ça fait chier, mais c’est comme ça.

    D’une certaine manière c’est un peu la même chose entre les genres.




  • Tennis again?

    Joke aside, pure competitive games are indeed just pure competitive games with no context at all. But competition in itself is ideological and political (the need to make the opponent lose) so Pong is too.

    It’s a point of view on multiplayer gaming. In Pong there is always a loser and a winner, never two winners, never two losers (can we even make a draw in original Pong? I don’t know).

    Pong is also a game that opposed human versus computer, it can be view as pure skill exercise to be a ‘better’ human or it can be literally a fight against the machine like playing chess against a computer. Both makes me want to ask what is the point to do this ? I think answers at this questions are political indeed.


  • Super Mario make a twist on the trope of the knight saving the princess. The knight is just a plumber and it is said to him that the ‘princess is an another castle’. But at the end the right order of the world is restaured when Mario finally frees the princess from the evil Bowser.

    So from a political standpoint Super Mario is a product believing strongly in individualism and in the self made man ideology. The twist shows only that even a plumber can save the princess if he works enough = liberal capitalism making us believed that we’ll be all rock stars and billionaires when we’re definitively not (and yes I’m quoting fight club here). All this is the consequence of the game focussing more on gameplay than it’s narration, therefore it leans towards what was the common thinking of the time.

    Polygamy (relationship between Peach, Mario and Luigi, if that’s what you are referring to) is much to me a side effect of the 2 players gameplay possibility, but it is still indeed pretty interesting in itself yeah.

    You probably meant it as a joke, but too bad you get a real answer :)









  • Noo@jlai.lutoLinux@lemmy.mlArdour 8.10 released
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    21 days ago

    Fruity Loops doesn’t have any easy equivalent on Linux. I’d say try reaper and ardour as they provide windows binaries. Be careful LMMS isn’t a FL clone, it’s midi only.

    For the Arturia plugins you can install them with wine and use yabridge to make them compatible if they are not in vst compatible format (ardour can take vst2 and vst3 but sometimes it will not work). You can also have a dedicated PC for instruments (it is what I do) on windows (using audio gridder). Gotta test the Linux server version of audio gridder to see if I can go back to linux on m’y second PC. Or you can just send the midi notes to pc2 then get the audio out to pc1.

    It’s doable to make proprietary plugins run on Linux but the reliability is the nightmarish part, as an update can break the wine compatibility and it can take a few mins/hours to restore.


  • Noo@jlai.lutoLinux@lemmy.mlArdour 8.10 released
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    21 days ago

    It’s a real issue because, technical aspect aside, lots of instruments cost a lot of money and are necessary to keep up with the trend. Also theses plugins can save you a lot of time, meaning you can provide more music on short time (effect plugins are concern as well here).


  • Name, address, GPS localisation data, habits (like apps you often use, moments you use one device or another), gender, search terms in search engines, open web pages on a web browser, connection (other person you know), the work you do and where you work.

    All kinds of things, really.

    The usage is mostly advertising or identity theft.


  • Noo@jlai.lutoLinux@lemmy.mlArdour 8.10 released
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    22 days ago

    As a professional music composer myself and working on Linux with Ardour, I’d say it is overall pretty good since many years. If you don’t like midi in Ardour you can use another soft to runs midi notes. On Linux the good thing is that if you don’t like something you can change, specially with audio softwares.

    To me the two major issues with professional music on Linux are :

    • Proprietary plugins for virtual instruments are a nightmare (hard to make them to work, expensive on machine’s resources and unreliable),

    • Most company still think free software = unprofessional/amateur, which can make it harder to get jobs.