I recently saw ‘Don’t Look Now’ (1973). Good picture, a little slow perhaps by today’s standards but worthy of any movie enjoyer’s time! So this movie was shot in Venice. Venice itself being an already beautiful spot to film even today. The way we get to look in a time capsule of Venice in the 70s makes the movie that much better!

People in the 70s could not in fact appreciate it the same way we do now. Concurrently we also can’t do it for today’s movies. Some movies can only be truly appreciated over time is what I believe. This matter can be expressed in both the movie’s message or, as I did, its cinematography. Hence my question now to you.

    • xkforce@lemmy.world
      link
      fedilink
      arrow-up
      15
      ·
      8 months ago

      That movie pissed my ex off. 23 minutes before there was any dialogue. Should have known then and there the relationship was doomed.

      • Rhynoplaz@lemmy.world
        link
        fedilink
        arrow-up
        4
        ·
        8 months ago

        That sounds pretty similar to our experience. I’ve always heard great things, but never saw it.

        20 minutes in I apologized for suggesting it and we watched some paint dry instead.

        • GrayBackgroundMusic@lemm.ee
          link
          fedilink
          English
          arrow-up
          1
          ·
          edit-2
          8 months ago

          Same. Any time I’ve discussed this movie, I always critique it that chapter 1 should have been shorter, 2 and 3 should have been longer and 4 should have been skipped entirely.

          That said, the soundtrack and visuals are amazing. Watching it as a music video, like Interstella 5555, would be decent.

    • demesisx@infosec.pub
      link
      fedilink
      English
      arrow-up
      4
      arrow-down
      1
      ·
      edit-2
      8 months ago

      Little known fact: the visual effects look so good because they shot the mattes and all elements ON THE SAME PIECE OF FILM. They’d shoot the matte, put the film in storage, build the set, then shoot the scene on top of that.