You’re intelligent. Or at least, well read/educated.
I didn’t say it was a good plot-device. The entire movie was hamfisted from the world building through the dialog, the character development, and those hamfists evolved into bulldozers to bring the moral home.
The only thing it had going for it was the CGI… which was obsequious.
Regardless, it’s their fictional world. They designed it to be stupid and boring so they could make some sort of moral superiority bullshit statement about capitalism while grossing 2+ billion.
Also, I’m just gonna say it. It wasn’t even sci fi. sure, sure. it had ships and stuff. but that’s not what makes sci fi sci fi.
Usually, at this point, I would say even a broken clock is right twice a day, but I’m trying to get accostumed to receive a compliment, so I’ll instead say thank you for those kind words. And that we agree.
Science fiction is an exploration of how science or technology changes society, or how society might respond to stuff, or how a society with a given tech might exist; it’s a form of speculative fiction.
Avatar isn’t that. It’s supposed to be an indictment of capitalist greed.
Just because it has technology doesn’t make it “sci-fi” and the elements that might are just a maghuffin to explain what they’re doing there. It could have just as easily been gold. Or diamonds or alien art.
Take Marry Shelly’s Frankenstein and compare it to say, avengers.
So… if it has robots and space and cloning, its science fiction and if it doesn’t it’s not?
so by that definition Marry Shelly’s Frankenstein is not proto-SciFi?
Or Jules Verne’s 20,000 Leagues Under the Sea? The Steam House? Around the World in 80 Days?
Or HG Wells The Island of Dr. Moreau, The Sleeper Awakes, and The Invisible Man are not?
Or maybe Snow Crash? …Children of Men?
I find it hilarious that you’re criticizing me for gatekeeping. Science Fiction as a genre is much broader than just space, or robots, or cloning. or any of the cool, glittery-glowy-things.
Sure, any single work can span a few genres. Even things you might not necessarily think go together like Comedic SciFi as in Red Dwarf, Farscape or Dr. Who. Sure, books and movies don’t have to be overt about it, and most the really good ones aren’t. The core of Science Fiction is (or any form of speculative fiction, really,) is asking “the question”. It’s asking “what if…” For example, The World Well Lost; the scifi elements are secondary to the emotional and social aspects.
If you enjoy Avatar, that’s great. I’m glad you did. I found it annoying, cliche and trite with terrible plot development and horrible characterization. The science or technological elements in Avatar could easily be removed for more…historic… settings, devices or straight up objects. the Unobtanium could easily be replaced with Lunar regolith or some sort of fancy Martian Marble™️ being sold for countertops. Or Inca gold. Or Peruvian emeralds. or anything to which an obscene value could be placed.
It serves no purpose at all to the plot. none of the technology or science or technology influences the characters, the plot or anything else. The entire movie is an orgy of CGI and an anti-capitalist screed. (nothing wrong with being anti-capitalist, mind.)
Ultimately, genres are delineated not because they’re necessary for the art they’re describing, but because people want to know what they’re getting into before they sit down and watch it. When you tell me something is scifi, and it turns out to be horror with aliens or… a marvel superhero movie… I’m not going to be very happy with you.
So… if it has robots and space and cloning, its science fiction and if it doesn’t it’s not?
At no point did I say this. Even remotely.
You can’t just inverse something I said and assume it’s still equivalent. You’d think someone this passionate about reading would have a higher level of comprehension…
There was no point in me reading past this pathetic strawman. Hope you enjoyed writing that pointless essay.
You’re intelligent. Or at least, well read/educated.
I didn’t say it was a good plot-device. The entire movie was hamfisted from the world building through the dialog, the character development, and those hamfists evolved into bulldozers to bring the moral home.
The only thing it had going for it was the CGI… which was obsequious.
Regardless, it’s their fictional world. They designed it to be stupid and boring so they could make some sort of moral superiority bullshit statement about capitalism while grossing 2+ billion.
Also, I’m just gonna say it. It wasn’t even sci fi. sure, sure. it had ships and stuff. but that’s not what makes sci fi sci fi.
Usually, at this point, I would say even a broken clock is right twice a day, but I’m trying to get accostumed to receive a compliment, so I’ll instead say thank you for those kind words. And that we agree.
Aliens, Mech suits and remotely controlled vat-grown body doubles aren’t enough to make it sci Fi?
Nope.
Science fiction is an exploration of how science or technology changes society, or how society might respond to stuff, or how a society with a given tech might exist; it’s a form of speculative fiction.
Avatar isn’t that. It’s supposed to be an indictment of capitalist greed.
Just because it has technology doesn’t make it “sci-fi” and the elements that might are just a maghuffin to explain what they’re doing there. It could have just as easily been gold. Or diamonds or alien art.
Take Marry Shelly’s Frankenstein and compare it to say, avengers.
Sorry, no. Genre doesn’t require a specific theme. This is some literature vs pulp gatekeeping.
So… if it has robots and space and cloning, its science fiction and if it doesn’t it’s not?
so by that definition Marry Shelly’s Frankenstein is not proto-SciFi?
Or Jules Verne’s 20,000 Leagues Under the Sea? The Steam House? Around the World in 80 Days?
Or HG Wells The Island of Dr. Moreau, The Sleeper Awakes, and The Invisible Man are not?
Or maybe Snow Crash? …Children of Men?
I find it hilarious that you’re criticizing me for gatekeeping. Science Fiction as a genre is much broader than just space, or robots, or cloning. or any of the cool, glittery-glowy-things.
Sure, any single work can span a few genres. Even things you might not necessarily think go together like Comedic SciFi as in Red Dwarf, Farscape or Dr. Who. Sure, books and movies don’t have to be overt about it, and most the really good ones aren’t. The core of Science Fiction is (or any form of speculative fiction, really,) is asking “the question”. It’s asking “what if…” For example, The World Well Lost; the scifi elements are secondary to the emotional and social aspects.
If you enjoy Avatar, that’s great. I’m glad you did. I found it annoying, cliche and trite with terrible plot development and horrible characterization. The science or technological elements in Avatar could easily be removed for more…historic… settings, devices or straight up objects. the Unobtanium could easily be replaced with Lunar regolith or some sort of fancy Martian Marble™️ being sold for countertops. Or Inca gold. Or Peruvian emeralds. or anything to which an obscene value could be placed.
It serves no purpose at all to the plot. none of the technology or science or technology influences the characters, the plot or anything else. The entire movie is an orgy of CGI and an anti-capitalist screed. (nothing wrong with being anti-capitalist, mind.)
Ultimately, genres are delineated not because they’re necessary for the art they’re describing, but because people want to know what they’re getting into before they sit down and watch it. When you tell me something is scifi, and it turns out to be horror with aliens or… a marvel superhero movie… I’m not going to be very happy with you.
At no point did I say this. Even remotely.
You can’t just inverse something I said and assume it’s still equivalent. You’d think someone this passionate about reading would have a higher level of comprehension…
There was no point in me reading past this pathetic strawman. Hope you enjoyed writing that pointless essay.