I don’t mean BETTER. That’s a different conversation. I mean cooler.
An old CRT display was literally a small scale particle accelerator, firing angry electron beams at light speed towards the viewers, bent by an electromagnet that alternates at an ultra high frequency, stopped by a rounded rectangle of glowing phosphors.
If a CRT goes bad it can actually make people sick.
That’s just. Conceptually a lot COOLER than a modern LED panel, which really is just a bajillion very tiny lightbulbs.
Oh man…I have an entire ten page paper on the go about this topic and it just keeps growing. One day I’ll publish it in a blog or something, but for now it’s just me vomiting up my thoughts about mass market manufacturing and the loss of zeitgeist.
The examples that I always use are a) Camera Lenses, b) Typewriters, and c) watches.
Mechanical things age individually, developing a sort of Kami, or personality of their own. Camera lenses wear out differently, develop lens bokehs that are unique. Their apertures breath differently as they age No two old mechanical camera lenses are quite the same. Similarly to typewriters; usage creates individual characteristics, so much so that law enforcement can pinpoint a particular typewriter used in a ransom note.
It’s something that we’ve lost in a mass produced world. And to me, that’s a loss of unimaginable proportions.
Consider a pocket watch from the civil war, passed down from generation to generation because it was special both in craftsmanship and in connotation. Who the hell is passing their Apple Watch down from generation to generation? No one…because it’s just plastic and metal junk in two years. Or buying a table from Ikea versus buying one made bespoke by your neighbour down the street who wood works in his garage. Which of those is worthy of being an heirloom?
If our things are in part what informs the future of our role in the zeitgeist, what do we have except for mounds of plastic scrap.
Just wanted to say thank you for writing this. Very cool take, that was so well written to get us on board for how and why “that old junk” has personality that is being lost.
Also
Damn.
Awww shucks. Thanks. I appreciate the compliment.
Damn.
Not much to say other than – “Damn.”
You’re right, though.
Old camera lenses are awesome. I’ve got some steel and glass rokkors that are beautiful. They render in such a wonderful way too, so painterly. They have thorium in the glass! Not enough to be sketchy to use but something that obviously isn’t done anymore. Bonus points that they can be fixed with a hammer.
Old camera stuff in general is subjectively cooler. The leaf shutters in my 4x5 lenses are incredible little machines. Film in general is cooler than whatever sensor the latest and greatest has. Actual bits of silver suspended in emulsion, with colour filters and dye couplers that react in development. There’s a great three part video on YouTube breaking down Kodak’s manufacturing process. It’s mind boggling that stuff even works. Ohhhh and actually darkroom optical prints! Don’t get me started there!
I’m going to develop some rolls I think. Got me in the mood.
I have a couple of 80s Rokkors that I use with a speedbooster on my lumix g9, a 50mm and a 35mm. Despite having to do some math in terms of converting things like focal length, etc… because of the adaptor, It’s WELL worth it.
My house is decorated with either items from the antique store or from IKEA. There are reasons for both but you need to have unique and mass produced things. We have turned too much for the mass produced